Artworks

  • Xylem Tube
    André Piguet
    Xylem Tube, 2020
    Oil and alkyd on linen
    100 x 100 x 5 cm
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  • Anchor
    Lewis Fidock & Joshua Petherick
    Anchor, 2019
    Human hair, rubber, polystyrene
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  • Banker
    John Roy
    Banker, 2019
    earthenware
    25.5 x 15.5 x 15.5 cm
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  • Bauble
    John Roy
    Bauble, 2019
    earthenware
    13 x 16 x 16 cm
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  • Bauble
    John Roy
    Bauble, 2019
    earthenware
    11 x 14 x 14 cm
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  • Bauble
    John Roy
    Bauble, 2019
    earthenware
    10 x 18.5 x 18.5 cm
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  • Bauble
    John Roy
    Bauble, 2019
    earthenware
    12 x 22 x 22 cm
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  • Black Clouds 2
    Nichola Shanley
    Black Clouds 2, 2019
    Glazed porcelain
    40 x 25 x 20cm
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  • C'mon
    Turumeke Harrington
    C'mon, 2019
    PVC, zippers and polyurethane foam
    dimensions variable
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  • Flower
    Stella Corkery
    Flower, 2019
    Oil on linen
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  • Freedom and Structure – Light and Waves III
    Elizabeth Thomson
    Freedom and Structure – Light and Waves III, 2019
    Glass spheres, optically-clear epoxy resin, aqueous isolation, pigment ink on cast vinyl, lacquer on contoured 3D CNC-cut wood panel
    38 x 38 x 4 cm
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  • Freedom and Structure – Light and Waves V
    Elizabeth Thomson
    Freedom and Structure – Light and Waves V, 2019
    Glass spheres, optically-clear epoxy resin, aqueous isolation, pigment ink on cast vinyl, lacquer on contoured 3D CNC-cut wood panel
    38 x 61.5 x 4 cm
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  • Lepidoptera
    Elizabeth Thomson
    Lepidoptera, 2019
    Acrylic and flashe on bronze
    dimensions variable
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  • Light and Waves IV
    Elizabeth Thomson
    Light and Waves IV, 2019
    Glass spheres, optically-clear epoxy resin, aqueous isolation, pigment ink on cast vinyl, lacquer on contoured 3D CNC-cut wood panel
    38 x 38 cm
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  • Meantone Hedge Maze
    André Piguet
    Meantone Hedge Maze, 2019
    oil on linen
    100 x 100 cm
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  • My Titirangi Years – tūrehu
    Elizabeth Thomson
    My Titirangi Years – tūrehu, 2019
    Glass spheres, optically-clear epoxy resin, aqueous isolation, pigment ink on cast vinyl, lacquer on contoured 3D CNC-cut wood panel
    38 x 61.5 cm
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  • Ngā Kārohirohi 1
    Raukura Turei
    Ngā Kārohirohi 1, 2019
    oil, pastel and raw pigment on Arches Huile 300gsm cotton rag
    57 x 76.5 cm
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  • Ngā Kārohirohi 2
    Raukura Turei
    Ngā Kārohirohi 2, 2019
    oil, pastel and raw pigment on Arches Huile 300gsm cotton rag
    57 x 76.5 cm
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  • Ngā Kārohirohi 3
    Raukura Turei
    Ngā Kārohirohi 3, 2019
    oil, pastel and raw pigment on Arches Huile 300gsm cotton rag
    57 x 76.5 cm
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  • Ngā Kārohirohi 4
    Raukura Turei
    Ngā Kārohirohi 4, 2019
    oil, pastel and raw pigment on Arches Huile 300gsm cotton rag
    57 x 76.5 cm
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  • Ngā Kārohirohi 5
    Raukura Turei
    Ngā Kārohirohi 5, 2019
    Oil, oil pastel and raw pigment on Arches Huile 300gsm cotton rag
    57 x 76.5 cm
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  • Ngā Kārohirohi 6
    Raukura Turei
    Ngā Kārohirohi 6, 2019
    Oil, oil pastel and raw pigment on Arches Huile 300gsm cotton rag
    57 x 76.5 cm
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  • Off Indian Island
    Elizabeth Thomson
    Off Indian Island, 2019
    Glass spheres, optically-clear epoxy resin, aqueous isolation, pigment ink on cast vinyl, lacquer on contoured 3D CNC-cut wood panel
    38 x 61.5 x 4 cm
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  • Rook
    John Roy
    Rook, 2019
    earthenware
    29.5 x 15 x 15 cm
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  • Shoot for the stars! Here's 1500 for when you miss
    Turumeke Harrington
    Shoot for the stars! Here's 1500 for when you miss, 2019
    Polyester rope, nylon shock cord, plastic cord clips, PVC sand bags, painted steel flowers, steel eyelets, polystyrene balls and cotton
    dimensions variable
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  • Split Fruit
    Stella Corkery
    Split Fruit, 2019
    Oil on linen
    30 x 30 cm
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  • Still waiting
    John Roy
    Still waiting, 2019
    earthenware
    34 x 18 x 18 cm
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  • Swoon
    Peter Stichbury
    Swoon, 2019
    Digital chromogenic print
    91 x 79 cm
    Edition of 30 plus 1 artist's proof
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  • Te poho o Hina-uri
    Raukura Turei
    Te poho o Hina-uri, 2019
    aumoana (blue clay), raw pigment, acrylic and oil on linen
    101.5 x 71 cm
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  • Te poho o Hine-Awatea
    Raukura Turei
    Te poho o Hine-Awatea, 2019
    aumoana (blue clay), raw pigment, acrylic and oil on linen
    101.5 x 71 cm
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  • Te poho o Hine-Ruhi
    Raukura Turei
    Te poho o Hine-Ruhi, 2019
    aumoana (blue clay), raw pigment, acrylic and oil on linen
    152.5 x 213.5 cm
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  • The Sleeping Giant, Dusky Canyon
    Elizabeth Thomson
    The Sleeping Giant, Dusky Canyon, 2019
    Glass spheres, optically-clear epoxy resin, aqueous isolation, pigment ink on cast vinyl, lacquer on contoured 3D CNC-cut wood panel
    38 x 61.5 x 4 cm
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  • Thought Experiment (Australia, New Zealand)
    Sean Peoples
    Thought Experiment (Australia, New Zealand), 2019
    Single-channel 1080p video with audio, edition of 2 + 2 AP
    dimensions variable
    edition of 2 + 2 AP
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  • Untitled (Cat)
    Miles Hendricks
    Untitled (Cat), 2019
    Dermatograph, graphite, pastel, chalk, crayon on raw cotton
    41 x 30.5 cm
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  • Untitled (Elixir)
    Miles Hendricks
    Untitled (Elixir), 2019
    Crayon, felt, charcoal, pigment on cotton
    41 x 30.5 cm
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  • Untitled (light)
    Turumeke Harrington
    Untitled (light), 2019
    LED lamp, lamp holder, electrical cable, powdercoated steel, nylon shock cord, polystyrene balls, cotton bag
    dimensions variable
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  • Waiter
    John Roy
    Waiter, 2019
    earthenware
    28.5 x 16.5 x 16.5 cm
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  • Walls
    John Roy
    Walls, 2019
    earthenware
    25 x 17 x 12 cm
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  • Port Duckula
    André Piguet
    Port Duckula, 2018 - 2020
    coloured pencil on paper in acrylic frame, three parts
    130 x 30.5 x 4.5 cm
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  • Port Duckula
    André Piguet
    Port Duckula, 2018 - 2020
    coloured pencil on paper in acrylic frames, two parts
    132 x 33.5 x 4.5 cm
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  • Port Duckula
    André Piguet
    Port Duckula, 2018 - 2020
    coloured pencil on paper in acrylic frame
    43 x 22 x 4.5 cm
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  • Port Duckula
    André Piguet
    Port Duckula, 2018 - 2020
    coloured pencil on paper in acrylic frame
    41 x 33.5 x 4.5 cm
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  • Light assemblage
    Turumeke Harrington
    Light assemblage, 2018 - 2019
    LED lamp, lamp holder, electrical cable, nylon shock cord, washi tape, painted steel; multiple
    dimensions variable
    multiple
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  • Light assemblage
    Turumeke Harrington
    Light assemblage, 2018 - 2019
    LED lamp, lamp holder, electrical cable, nylon shock cord, washi tape, PVC sandbag
    dimensions variable
    multiple
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  • Bulbous Bow
    Miles Hendricks
    Bulbous Bow, 2018
    Pastel, charcoal, oil pastel, gesso on raw cotton
    41 x 30.5 cm
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  • Château de Tiffauges
    Josey Kidd-Crowe
    Château de Tiffauges, 2018
    Oil on velvet
    135.5 x 172 cm
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  • Crypto Futures — Game of Life Overprint Collage: Electronic Banking Dystopia
    Simon Denny
    Crypto Futures — Game of Life Overprint Collage: Electronic Banking Dystopia, 2018
    Digital print on Hasbro Game of Life Electronic Banking Edition board, Game of Life card reader, Game of Life bank cards, powder-coated server rack shelving, laser-cut plexiglas, various server rack hardware components
    72 x 100 x 23 cm
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  • Double Locker
    Miles Hendricks
    Double Locker, 2018
    Oil on raw cotton
    41 x 30.5 cm
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  • Entropic Totem #4 (Carapace)
    Luke Libera Moore
    Entropic Totem #4 (Carapace), 2018
    Archival pigment print in artists frame, Unique state print
    42 x 28 cm
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  • Hide every lovely flower from my sight, don't let that dreamy moon come out, out tonight (Double-Decker)
    Michael Kennedy
    Hide every lovely flower from my sight, don't let that dreamy moon come out, out tonight (Double-Decker), 2018
    acylic on canvas
    76.5 x 75 cm
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  • Hold another hand while the hand's still without a tool, drown into eyes while they're still blind, love while the night still hides the withering dawn (Homage to Grace)
    Michael Kennedy
    Hold another hand while the hand's still without a tool, drown into eyes while they're still blind, love while the night still hides the withering dawn (Homage to Grace), 2018
    acylic on canvas
    76.5 x 75 cm
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  • Influenza
    Miles Hendricks
    Influenza, 2018
    Felt marker, crayon, oil pastel, cotton base solution on bull denim
    41 x 30.5 cm
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  • It's a perfect day for kiss and swell, for rip-zipping button-popping kiss and well... (Acrylic on Canvas)
    Michael Kennedy
    It's a perfect day for kiss and swell, for rip-zipping button-popping kiss and well... (Acrylic on Canvas), 2018
    acylic on canvas
    76.5 x 75 cm
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  • IWMLDFS (or mini-bar)
    Brian Fuata
    IWMLDFS (or mini-bar), 2018
    Performance, Institute of Modern Art (IMA), Brisbane
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  • kemp roth comb filter 1
    André Piguet
    kemp roth comb filter 1, 2018
    PLA plastic, coloured pencil, acrylic, mixed media on paper
    24 x 8 x 20 cm
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  • kemp roth comb filter 7
    André Piguet
    kemp roth comb filter 7, 2018
    PLA plastic, coloured pencil, acrylic, mixed media on paper
    24 x 8 x 20 cm
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  • Love is a flame that can't be tamed, and though we are its willing pray, my darling, we are not the ones to blame (Hot Heart)
    Michael Kennedy
    Love is a flame that can't be tamed, and though we are its willing pray, my darling, we are not the ones to blame (Hot Heart), 2018
    acylic on canvas
    76.5 x 75 cm
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  • My Titirangi Years – Koromiko II
    Elizabeth Thomson
    My Titirangi Years – Koromiko II, 2018
    Glass spheres, optically-clear epoxy resin, aqueous isolation, pigment ink on cast vinyl, lacquer on contoured 3D CNC-cut wood panel
    38 x 61.5 x 4 cm
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  • Nestbeschmutzer
    Josey Kidd-Crowe
    Nestbeschmutzer, 2018
    Oil on velvet and polyester
    131.5 x 182 cm
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  • Omnium Gatherum 57
    Julia Morison
    Omnium Gatherum 57, 2018
    acrylic and gold leaf on PVC and timber frame
    100 x 70 cm
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  • Omnium Gatherum 60
    Julia Morison
    Omnium Gatherum 60, 2018
    acrylic and gold leaf on PVC and timber frame
    100 x 70 cm
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  • Self Portrait 30 Weeks
    Yvonne Todd
    Self Portrait 30 Weeks, 2018
    C-type print from 4x5 transparency, edtion of 3 + 1 AP
    80 x 64 cm
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  • Slump
    Turumeke Harrington
    Slump, 2018
    LED lamp, lamp holder, electrical cable, nylon shock cord, cable, lamps, steel, sand, PVC
    dimensions variable
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  • Softly the light shines in through, the gates of grace on me and you, deceiving our restless hearts (Good Painting)
    Michael Kennedy
    Softly the light shines in through, the gates of grace on me and you, deceiving our restless hearts (Good Painting), 2018
    acylic on canvas
    76.5 x 75 cm
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  • The Glow
    Miles Hendricks
    The Glow, 2018
    Oil pastel, crayon, graphite, cotton base solution on linen
    41 x 30.5 cm
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  • Untitled (Dragon)
    Miles Hendricks
    Untitled (Dragon), 2018
    Flashe, crayon, graphite on raw cotton
    41 x 30.5 cm
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  • Untitled (Path)
    Miles Hendricks
    Untitled (Path), 2018
    Crayon, felt, pigment, gesso on raw cotton
    41 x 30.5 cm
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  • Untitled (Rabbit)
    Miles Hendricks
    Untitled (Rabbit), 2018
    Ink, pastel and chalk on raw cotton
    41 x 30.5 cm
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  • Untitled (Wizard)
    Miles Hendricks
    Untitled (Wizard), 2018
    Ink, pastel and chalk on raw linen
    41 x 30.5 cm
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  • Vivian
    Miles Hendricks
    Vivian , 2018
    Oil on raw cotton
    41 x 30.5 cm
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  • Antikythera 1
    Andrew Hazewinkel
    Antikythera 1, 2017
    digital chromogenic print on metallic paper
    90 x 60 cm
    Edition of 3 plus 1 artist's proof
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  • Antikythera 2
    Andrew Hazewinkel
    Antikythera 2, 2017
    digital chromogenic print on metallic paper
    90 x 60 cm
    Edition of 3 plus 1 artist's proof
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  • Antikythera 3
    Andrew Hazewinkel
    Antikythera 3, 2017
    digital chromogenic print on metallic paper
    90 x 60 cm
    Edition of 3 plus 1 artist's proof
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  • Antikythera 4
    Andrew Hazewinkel
    Antikythera 4, 2017
    digital chromogenic print on metallic paper
    90 x 60 cm
    Edition of 3 plus 1 artist's proof
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  • Ascent – Above the Nation State / Descent Journeys in the Dark – Box Lid Overprint
    Simon Denny
    Ascent – Above the Nation State / Descent Journeys in the Dark – Box Lid Overprint, 2017
    UV print on unfolded Descent Journeys in the Dark board game box lid & base
    45 x 45 cm
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  • Captive Female Huia
    Fiona Pardington
    Captive Female Huia, 2017
    Archival pigment inks on Hahnemühle photo rag, edition 2/10
    146 x 110 cm
    edition of 10
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  • Difficult Piece
    Nichola Shanley
    Difficult Piece, 2017
    Glazed porcelain
    26 x 28 x 24 cm
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  • Green Folds
    Nichola Shanley
    Green Folds, 2017
    Glazed porcelain
    41 x 30 cm
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  • Huia Beak Brooch, with thanks Te Manawa Museum, New Zealand
    Fiona Pardington
    Huia Beak Brooch, with thanks Te Manawa Museum, New Zealand, 2017
    Archival pigment inks on Hahnemühle photo rag
    82.5 x 110 cm
    edition of 10
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  • Just Be Prepared (Backyard birds, Southtown)
    Kate Newby
    Just Be Prepared (Backyard birds, Southtown), 2017
    Soft ground etching printed as relief
    57 x 60 cm
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