Artworks

  • Just Be Prepared (Backyard birds, Southtown)
    Kate Newby
    Just Be Prepared (Backyard birds, Southtown), 2017
    Soft ground etching printed as relief
    57 x 60 cm
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  • Red
    Nichola Shanley
    Red, 2017
    Glazed porcelain
    18 x 28 cm
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  • Report on Experience, Astronomer’s Point
    Elizabeth Thomson
    Report on Experience, Astronomer’s Point, 2017
    Glass spheres, optically-clear epoxy resin, aqueous isolation, pigment ink on cast vinyl, lacquer on contoured 3D CNC-cut wood panel
    75.5 x 100 x 4 cm
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  • The Plum Tree
    Sriwhana Spong
    The Plum Tree, 2017
    Silk dyed in Grape Fanta, plum stones
    55 x 55 cm
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  • Worldweb Allthing
    Jess Johnson
    Worldweb Allthing, 2017
    looped single-channel digital 4K video with audio, 31 second loop, Soundtrack by Andrew Clarke
    dimensions variable
    edition of 5 + 1 AP
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  • Kosmos
    Ruth Watson
    Kosmos, 2016-24
    Souvenirs, aluminium globe on wooden base
    75 x 65 x 65 cm
    29 1/2 x 25 1/2 x 25 1/2 in
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  • Luna Ghosts
    Elizabeth Thomson
    Luna Ghosts, 2016 - 2017
    Pigment ink on cast vinyl film, lacquer, waterbased adhesive and nylon flocking on contoured 3D CNC-cut wood panel
    75.5 x 75.5 x 4 cm
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  • Cascades II
    Elizabeth Thomson
    Cascades II, 2016
    Pigment ink on cast vinyl, lacquer on contoured 3D CNC-cut wood panel, Unique state print
    140 x 202 x 5 cm
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  • Excerpt from Transmission to the Sun
    David Haines
    Excerpt from Transmission to the Sun, 2016
    Ultrachrome pigment print on Canson Rag, two parts
    50 x 35 cm each
    19 3/4 x 13 3/4 in each
    Editon of 3 + 2 AP
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  • Freedom and Structure IX
    Elizabeth Thomson
    Freedom and Structure IX, 2016
    Pigment ink on cast vinyl, lacquer on contoured 3D CNC-cut wood panel, Unique state print
    75.5 x 113 x 4 cm
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  • Freedom and Structure V
    Elizabeth Thomson
    Freedom and Structure V, 2016
    Pigment ink on cast vinyl, lacquer on contoured 3D CNC-cut wood panel, Unique state print
    75.5 x 113 x 4 cm
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  • Freedom and Structure VI
    Elizabeth Thomson
    Freedom and Structure VI, 2016
    Pigment ink on cast vinyl, lacquer on contoured 3D CNC-cut wood panel, Unique state print
    75.5 x 113 x 4 cm
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  • Freedom and Structure X
    Elizabeth Thomson
    Freedom and Structure X, 2016
    Pigment ink on cast vinyl, lacquer on contoured 3D CNC-cut wood panel, Unique state print
    112 x 112 x 5 cm
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  • Ruru Perfect Prince (Above)
    Fiona Pardington
    Ruru Perfect Prince (Above), 2016
    Archival pigment inks on Hahnemühle photo rag
    82.5 x 110 cm
    edition of 10
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  • Subspace & Aftercare
    Jess Johnson
    Subspace & Aftercare, 2016
    Giclée print on cotton rag with four deckled edges
    56 x 43 cm
    Edition of 50
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  • Syntropy System - Preparation 8
    Sarah Smuts-Kennedy
    Syntropy System - Preparation 8, 2016
    steel (Fe), lime (Ca), copper (Cu), gold (Au), silver (Ag), jasper (SiO2 + Fe, O), fuchsite (K(Al, Cr)3, Si3, O10(OH)2)
    45 x 36.5 x 5 cm
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  • Syntropy System - Preparation 9
    Sarah Smuts-Kennedy
    Syntropy System - Preparation 9, 2016
    steel (Fe), lime (Ca), copper (Cu), gold (Au), bronze (Cu + Sn)
    45 x 36.5 x 5 cm
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  • Vegetable Television
    Jess Johnson
    Vegetable Television, 2016
    Giclée print on cotton rag with deckled edges
    56 x 43 cm
    Edition of 50
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  • Worldken
    Jess Johnson
    Worldken, 2016
    Giclée print on cotton rag
    56 x 43 cm
    Edition of 50
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  • Ear w. Tinnitus
    Joshua Petherick
    Ear w. Tinnitus, 2015
    Polyurethane resin, seashell, rare earth magnet
    12 x 8 cm
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  • Head[case], 017- Sound trumpets
    Julia Morison
    Head[case], 017- Sound trumpets, 2015
    glazed stoneware and porcelain, tin paint, wire
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  • Head[case], 021- Shut up!
    Julia Morison
    Head[case], 021- Shut up!, 2015
    glazed and painted stoneware, nails
    30 x 16.5 x 16 cm
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  • Petrified Dawn VI
    Joshua Petherick
    Petrified Dawn VI, 2015
    Corn Flakes in modified packaging of polyurethane resin, weld-bond, carbon powder, silicone rubber, Lovingearth Organic Purple Corn Extract, spirulina
    36 x 9.5 cm
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  • An eclipse of moths; Invitation to Openness
    Elizabeth Thomson
    An eclipse of moths; Invitation to Openness, 2014 - 2019
    Acrylic, flashe, aqueous adhesive and nylon flocking on bronze
    dimensions variable; 60 parts of varying sizes
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  • An eclipse of moths; Invitation to Openness
    Elizabeth Thomson
    An eclipse of moths; Invitation to Openness, 2014 - 2019
    Acrylic, flashe, aqueous adhesive and nylon flocking on bronze
    dimensions variable
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  • Ants on a Hibiscus Petal, Muri Beach, Rarotonga
    Fiona Pardington
    Ants on a Hibiscus Petal, Muri Beach, Rarotonga, 2014
    pigment inks on archival cotton rag
    110 x 146 cm
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  • Gary McKinnon
    Peter Stichbury
    Gary McKinnon, 2014
    Coloured pencil on paper
    42 x 35 cm unframed
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  • Head[case], 005- Substancexchange
    Julia Morison
    Head[case], 005- Substancexchange, 2014
    glazed stoneware, rubber hose, rubber corks
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  • Head[case], 013- I have dredged the ocean of its tears
    Julia Morison
    Head[case], 013- I have dredged the ocean of its tears, 2014
    glazed stoneware
    30 x 15.5 x 19.5 cm
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  • Leaves like nets
    Milli Jannides
    Leaves like nets, 2014
    Oil on canvas
    120 x 150 cm
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  • Open Neighbourhood 2
    Shane Cotton
    Open Neighbourhood 2, 2014
    Acrylic on canvas
    25 x 25 cm
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  • Rubbish Dump Picture Postcard
    Milli Jannides
    Rubbish Dump Picture Postcard, 2014
    Oil on canvas
    195 x 180 cm
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  • Silk Road 2
    Andrew McLeod
    Silk Road 2, 2014
    Digital print on paper, edition of 3
    68 x 86 cm
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  • Sleeping Peahen, Ripiro
    Fiona Pardington
    Sleeping Peahen, Ripiro, 2014
    pigment print on archival cotton rag
    140 x 176 cm framed (mural size print)
    edition of 10
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  • Privilage (performance)
    Brian Fuata
    Privilage (performance), 2013
    Performance, Museum of Contemporary Art (MCA), Sydney
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  • Still Life with Kamo, Woman's Skull and a Four leaf Clover, from the Colin McCahon Residency
    Fiona Pardington
    Still Life with Kamo, Woman's Skull and a Four leaf Clover, from the Colin McCahon Residency, 2013
    Archival pigment inks on Hahnemühle photo rag
    82.5 x 110 cm
    edition of 10
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  • Still life with Lake Hawea Wai, Ihumoana and Seaweed, from the Colin McCahon Residency
    Fiona Pardington
    Still life with Lake Hawea Wai, Ihumoana and Seaweed, from the Colin McCahon Residency, 2013
    pigment print on archival cotton rag
    140 x 176 cm framed (mural size print)
    Edition of 10
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  • Still Life with Nasturtiums in a Crystal Vase and an Unknown Organic Object, Ripiro,
    Fiona Pardington
    Still Life with Nasturtiums in a Crystal Vase and an Unknown Organic Object, Ripiro,, 2013
    pigment print on archival cotton rag
    140 x 176 cm framed (mural size print)
    edition of 10
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  • Talia's Bouquet, Snuffed Candle and Pounamu Arahura
    Fiona Pardington
    Talia's Bouquet, Snuffed Candle and Pounamu Arahura, 2013
    Archival pigment inks on Hahnemühle photo rag
    43.5 x 65 cm
    edition of 10
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  • Still Life with Freud and Puriri, Waiheke
    Fiona Pardington
    Still Life with Freud and Puriri, Waiheke, 2012
    pigment print on archival cotton rag
    140 x 176 cm framed (mural size print)
    edition of 10
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  • Still Life with Karaka Drupes and Gecko Skin
    Fiona Pardington
    Still Life with Karaka Drupes and Gecko Skin, 2012
    pigment print on archival cotton rag
    140 x 176 cm framed (mural size print)
    edition of 10
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  • Tui on a Byre of Flowering Sage and Wild Roses
    Fiona Pardington
    Tui on a Byre of Flowering Sage and Wild Roses, 2012
    pigment print on archival cotton rag
    140 x 176 cm framed (mural size print)
    Edition of 10
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  • Weight
    John Roy
    Weight, 2012
    earthenware
    58 x 33 x 25 cm
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  • Monochromes in Liqueurfaction I - X
    Julia Morison
    Monochromes in Liqueurfaction I - X, 2011
    Liquefaction and various liqueurs on aluminium polyurethane laminate, in aluminium frames
    10 parts, 82 x 62 x 3.5 cm each
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  • Things: Relics I – IX
    Julia Morison
    Things: Relics I – IX, 2011
    Liquefaction and cement in cardboard boxes
    nine parts, 12 x 9 x 17 cm each
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  • Journeys in the Lifeworld of Stones (Displacement I) JM 758 / Met 11.100.2
    Andrew Hazewinkel
    Journeys in the Lifeworld of Stones (Displacement I) JM 758 / Met 11.100.2, 2010–2020
    Digital chromogenic print, Diasec acrylic facemounted
    116 x 158 cm
    Edition of 3 plus 1 artist's proof
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  • Journeys in the Lifeworld of Stones (Displacement III) JMA.1.5.7/ Met 20.200
    Andrew Hazewinkel
    Journeys in the Lifeworld of Stones (Displacement III) JMA.1.5.7/ Met 20.200, 2010–2020
    Digital chromogenic print, Diasec acrylic facemounted
    116 x 158 cm
    Edition of 3 plus 1 artist's proof
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  • Journeys in the Lifeworld of Stones (Displacement IV) JM 238 / Met 11.100.2
    Andrew Hazewinkel
    Journeys in the Lifeworld of Stones (Displacement IV) JM 238 / Met 11.100.2, 2010–2020
    Digital chromogenic print, Diasec acrylic facemounted
    116 x 158 cm
    Edition of 3 plus 1 artist's proof
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  • Journeys in the Lifeworld of Stones (Displacement V) JM 548 / Met 27.45
    Andrew Hazewinkel
    Journeys in the Lifeworld of Stones (Displacement V) JM 548 / Met 27.45, 2010–2020
    Digital chromogenic print, Diasec acrylic facemounted
    116 x 158 cm
    Edition of 3 plus 1 artist's proof
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  • Journeys in the Lifeworld of Stones (Displacement VI) JM 777 / Met 26.60.2
    Andrew Hazewinkel
    Journeys in the Lifeworld of Stones (Displacement VI) JM 777 / Met 26.60.2, 2010–2020
    Digital chromogenic print, Diasec acrylic facemounted
    116 x 158 cm
    Edition of 3 plus 1 artist's proof
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  • Journeys in the Lifeworld of Stones (Displacement VII) JM 702 / Met 23.69
    Andrew Hazewinkel
    Journeys in the Lifeworld of Stones (Displacement VII) JM 702 / Met 23.69, 2010–2020
    Digital chromogenic print, Diasec acrylic facemounted
    116 x 158 cm
    Edition of 3 plus 1 artist's proof
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  • Blinkers
    John Roy
    Blinkers, 2010
    earthenware, twelve parts
    20 x 10 x 5 cm each
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  • Contained
    John Roy
    Contained, 2010
    earthenware
    two parts: 47 x 16 x 16 cm; 41 x 14.5 x 14.5 cm
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  • Folly
    John Roy
    Folly, 2010
    earthenware
    98 x 40 x 28 cm
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  • Moonlight de Sade
    Fiona Pardington
    Moonlight de Sade, 2010
    Archival pigment inks on Hahnemühle photo rag, edition 5/10
    146 x 110 cm
    edition of 10
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  • Portrait of a Life-Cast of Pierre-Marie Alexandre Dumontier (Left Profile)
    Fiona Pardington
    Portrait of a Life-Cast of Pierre-Marie Alexandre Dumontier (Left Profile), 2010
    Archival pigment inks on Hahnemühle photo rag
    105 x 78 cm
    edition of 10
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  • Apparition
    Michael Harrison
    Apparition, 2008 - 2017
    acrylic and pencil on paper
    21 x 29.7 cm
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  • Myriorama: AEP
    Julia Morison
    Myriorama: AEP, 2008
    Acrylic, gesso and ink, and lacquer on aluminium polyurethane laminate
    90 x 105 cm
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  • Myriorama: EIBIEIXIO
    Julia Morison
    Myriorama: EIBIEIXIO, 2008
    Acrylic, gesso and ink, and lacquer on aluminium polyurethane laminate
    60 x 360 cm
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  • Myriorama: OP
    Julia Morison
    Myriorama: OP, 2008
    Acrylic, gesso and ink on aluminium polyurethane laminate
    60 x 90 cm
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  • Myriorama: PAEAP
    Julia Morison
    Myriorama: PAEAP, 2008
    Acrylic, gesso and ink, and lacquer on aluminium polyurethane laminate
    90 x 230 cm
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  • Myriorama: UU
    Julia Morison
    Myriorama: UU, 2008
    Acrylic, gesso and ink on aluminium polyurethane laminate
    120 x 120 cm
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  • Untitled
    Julian Dashper
    Untitled, 2007
    acrylic on canvas, edition 3/5
    61 x 61 cm
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  • Rising Sign
    Michael Harrison
    Rising Sign, 2006 - 2018
    acrylic and pencil on paper
    21 x 23.5 cm
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  • Fringe
    Michael Harrison
    Fringe, 2006 - 2014
    acrylic and pencil on paper
    21 x 29.7 cm
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  • Blaze
    Michael Harrison
    Blaze, 2006 - 2008
    acrylic and pencil on paper
    29.7 x 21 cm
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  • Evaporation
    Michael Harrison
    Evaporation, 2006 - 2008
    acrylic and pencil on paper
    29.7 x 21 cm
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  • Untitled (2005)
    Julian Dashper
    Untitled (2005), 2005
    silkscreen on paper, edition 15/15
    89 x 66 cm
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  • Vol-Ron
    Yvonne Todd
    Vol-Ron, 2004
    C-type print
    108 x 88.5 cm
    edition 3 of 3
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  • Underwater Love / Cave Complex, 2003
    Andrew McLeod
    Underwater Love / Cave Complex, 2003, 2003
    Digital print on paper, edition of 3
    103.5 x 83.5 cm
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  • Reminder
    Michael Harrison
    Reminder, 2001 - 2019
    acrylic and pencil on paper
    29.7 x 21 cm
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  • Diving Deep
    Michael Harrison
    Diving Deep, 2001 - 2017
    acrylic and pencil on paper
    29.7 x 21 cm
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  • Neil Keller
    Michael Parekowhai
    Neil Keller, 2000
    C-type print
    126.5 x 107 cm
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  • Social mores & less (on) es (Many/ o menos)
    Tom Kreisler
    Social mores & less (on) es (Many/ o menos), 2000
    Acrylic, chalk, charcoal, pen and tape on board
    39.5 x 46.5 cm
    15 1/2 x 18 1/4 in
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  • Dear Leo
    Julian Dashper
    Dear Leo, 1999
    7" lathe-cut acetate record in custom slipcase, edition of 20
    dimensions variable
    Edition of 20
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  • She's the One
    Michael Harrison
    She's the One, 1997 - 2018
    acrylic and pencil on paper
    29.7 x 21 cm
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  • 1,m0n0chr0me 221:2 + 1,m0n0chr0me 515:2
    Julia Morison
    1,m0n0chr0me 221:2 + 1,m0n0chr0me 515:2 , 1997
    clay on board; blood on board
    24.5 x 37.5 cm
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  • 1,m0n0chr0me No.285:2 + 1,m0n0chr0me No.386:2
    Julia Morison
    1,m0n0chr0me No.285:2 + 1,m0n0chr0me No.386:2, 1997
    clay on board, excrement on board
    21 x 36.5 cm
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  • 1,m0n0chr0me No.524:2 + 1,m0n0chr0me No.102:2
    Julia Morison
    1,m0n0chr0me No.524:2 + 1,m0n0chr0me No.102:2 , 1997
    ash on board, blood of the lamb on board
    25 x 37.5 cm
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  • 1,m0n0chr0me No.735:2 + 1,m0n0chr0me No.166:2
    Julia Morison
    1,m0n0chr0me No.735:2 + 1,m0n0chr0me No.166:2 , 1997
    silver leaf on board, ash on board
    23.5 x 32.5 cm
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